The Best Albums of 2024: 20 – 11

2024 was a landmark year in music, defined by groundbreaking achievements, genre-defying releases, and cultural milestones that reshaped the industry. From Charli XCX’s domination with BRAT to Shaboozey’s “A Bar Song (Tipsy)” tying the record for the longest-running number-one on the Billboard Hot 100, and Taylor Swift’s record-breaking Eras Tour, the year was packed with unforgettable moments.

Beyoncé made history with her country album, sparking important conversations about representation, while Kendrick Lamar’s “Not Like Us” and his rap feud with Drake reignited hip-hop’s competitive spirit. Meanwhile, Elton John achieved EGOT status, Beyoncé became the most Grammy-nominated artist ever, and the Rock and Roll Hall of Fame welcomed a diverse and influential class.

We also witnessed unforgettable performances, including Usher’s Super Bowl halftime show and Celine Dion’s triumphant return at the Olympics. Reunions, such as Linkin Park and Oasis, brought fans joy, while the industry grappled with controversies and bid farewell to iconic figures like Toby Keith, Quincy Jones, and Liam Payne.

As we continue our countdown, let’s celebrate the albums that shaped this transformative year in music.

You can revisit our list so far here, but in the meantime, let’s continue our deep dive into our best albums of 2024, from #20 to #11 below.

20. St. Vincent – All Born Screaming

St. Vincent’s seventh studio album, All Born Screaming, released on April 26, 2024, marks a significant evolution in Annie Clark’s artistic journey. Self-produced and featuring collaborations with artists like Dave Grohl and Cate Le Bon, the album showcases Clark’s mastery in blending genres such as art rock, industrial, and progressive rock.

The album opens with “Hell Is Near,” setting a haunting tone that seamlessly transitions into the explosive energy of “Broken Man,” distinguished by Grohl’s dynamic drumming. “Flea” offers a gritty, industrial soundscape, while “The Power’s Out” provides a contemplative respite, highlighting Clark’s lyrical depth. The title track, “All Born Screaming,” serves as a seven-minute opus, encapsulating the album’s exploration of life, death, and rebirth.

Critics have lauded All Born Screaming for its raw emotion and innovative sound. Pitchfork noted that Clark “retains her sharp edge as a songwriter while making the music sound exalting, inspiring, and thoroughly romantic.” NME praised it as her “most generous and open statement yet.” The album’s critical acclaim is further evidenced by its inclusion in various “Best Albums of 2024” lists, solidifying its impact on the music landscape.

In All Born Screaming, St. Vincent delivers a compelling and introspective work that not only reflects her personal growth but also pushes the boundaries of contemporary music, reaffirming her status as a visionary artist.

19. Jessica Pratt – Here in the Pitch

Jessica Pratt’s fourth studio album, Here in the Pitch, released on May 3, 2024, via Mexican Summer, stands as a testament to her evolution as an artist, seamlessly blending her signature lo-fi folk sensibilities with enriched instrumentation and a broader ensemble. Drawing inspiration from the 1960s Los Angeles “hippie era,” Pratt delves into the complexities of the Californian dream, crafting a soundscape that is both timeless and haunting.

The album opens with “Life Is,” a track that envelops listeners in a dreamy atmosphere, reminiscent of David Lynch’s surreal worlds, setting the tone for the introspective journey that follows. “World on a String” showcases Pratt’s delicate vocals against a backdrop of acoustic guitar and subtle percussion, highlighting her ability to convey profound emotion through minimalist arrangements. Throughout the album, tracks like “Better Hate” and “By Hook or by Crook” further exemplify her refined songwriting, each song unfolding with a sense of intimate storytelling.

Critics have lauded Here in the Pitch for its ethereal beauty and Pratt’s meticulous craftsmanship. Pitchfork awarded the album an 8.8 out of 10, noting that Pratt’s “fourth album of hypnagogic folk music hones her mysterious song to its finest point.” The Line of Best Fit described it as her “most fully realized and consistently evocative set,” emphasizing the lush hooks and dreamy spaciousness that define the record. This critical acclaim is further evidenced by its inclusion in year-end lists, such as Pitchfork’s ‘The 50 Best Albums of 2024,’ solidifying its impact on the music landscape.

Jessica Pratt offers a collection of songs that are both introspective and expansive throughout Here in the Pitch, inviting listeners into a world where time seems to stand still, and every note is imbued with a sense of haunting beauty.

18. Beth Gibbons – Lives Outgrown

Beth Gibbons, renowned for her evocative work with Portishead, unveils a deeply introspective journey in her debut solo album, Lives Outgrown, released on May 17, 2024, through Domino Recording Company. Co-produced with James Ford and Lee Harris, the album departs from the trip-hop beats that defined her earlier career, embracing a more organic and orchestral soundscape. Gibbons herself described the project as encompassing “lots of goodbyes,” reflecting farewells to family, friends, and even former versions of herself.

The album’s lead single, “Floating on a Moment,” sets a contemplative tone, with Gibbons’ haunting vocals layered over minimalist instrumentation, creating an ethereal atmosphere. “Reaching Out” follows, showcasing her ability to convey profound emotion through sparse arrangements, while “Lost Changes” delves into themes of transformation and acceptance. Throughout the album, Gibbons’ voice remains a central instrument, guiding listeners through a landscape of melancholy and reflection.

Lives Outgrown stands out for its raw emotional depth and departure from Gibbons’ previous work. Pitchfork noted that Gibbons aimed to “get away from snare drums and breakbeats,” resulting in a sound that is both intimate and expansive. Far Out Magazine described the album as “stunning and haunting,” emphasizing Gibbons’ ability to turn introspection into art. This critical acclaim is further evidenced by its inclusion in year-end lists, such as The Sun’s ‘Top 50 Albums of 2024,’ solidifying its impact on the music landscape.

Beth Gibbons offers a poignant exploration of life’s impermanence on Lives Outgrown, delivering a body of work that resonates with both vulnerability and strength, reaffirming her status as a visionary artist unafraid to traverse new sonic territories.

17. Laura Marling – Patterns in Repeat

Laura Marling’s Patterns in Repeat stands as a testament to her evolution as an artist and a mother. Written following the birth of her daughter in 2023, the album delves into themes of motherhood, familial bonds, and the cyclical nature of life. Recorded primarily in her home studio, the intimate setting permeates the album, with ambient sounds like a baby’s cooing introducing the opening track, “Child of Mine.”

The absence of percussion throughout the album allows Marling’s intricate guitar work and evocative vocals to take center stage. Tracks like “Your Girl” explore the invisible strings that bind generations, while “No One’s Gonna Love You Like I Can” offers a tender reflection on unconditional love. The title track, “Patterns in Repeat,” serves as a contemplative centerpiece, examining the repetitive behaviors passed down through family lines.

Critics have praised Patterns in Repeat for its exquisite study of parenthood’s anxiety and awe. MOJO describes the album as a “brilliant entry into public parenting,” highlighting Marling’s lyrical depth and emotional resonance. The Financial Times commends the album’s “intriguing mix of poise and freedom,” noting its elegant and fluent composition. This critical acclaim is further evidenced by its inclusion in year-end lists, such as Pitchfork’s ‘The 50 Best Albums of 2024,’ solidifying its impact on the music landscape.

In Patterns in Repeat, Marling offers a deeply personal yet universally relatable exploration of life’s recurring themes, reaffirming her status as one of the most insightful singer-songwriters of her generation.

16. Kim Gordon – The Collective

Kim Gordon’s second solo album The Collective showcases her fearless innovation and adaptability. Drawing inspiration from Jennifer Egan’s novel The Candy House, Gordon delves into themes of digital culture and collective consciousness, blending noise rock with trap influences to create a sound that is both abrasive and captivating.

The album opens with “BYE BYE,” where Gordon’s stream-of-consciousness lyrics are delivered over a wild trap beat, setting the tone for the experimental journey that follows. “I’m A Man” confronts gender stereotypes with a brooding intensity, while “Psychedelic Orgasm” lives up to its name, offering a disorienting blend of distorted guitars and hypnotic rhythms. Throughout the album, Gordon’s distinctive voice and avant-garde approach push the boundaries of genre, resulting in a collection that is both challenging and rewarding.

Critics have praised The Collective for its bold experimentation and relevance. Pitchfork described it as “vicious and brilliant,” highlighting Gordon’s commentary on modern digital life. NME noted that the album combines “shards of abrasive noise with relatable lyrics,” appealing to a new generation of listeners. This acclaim is further evidenced by its inclusion in year-end lists, such as The Atlantic’s “The 10 Best Albums of 2024,” solidifying its impact on the music landscape.

The Collective sees Kim Gordon reaffirming her status as a pioneering force in alternative music, seamlessly integrating contemporary influences with her signature avant-garde style to produce an album that is both timely and timeless.

15. Nick Cave & The Bad Seeds – Wild God

Nick Cave & The Bad Seeds‘ eighteenth studio album, Wild God, released on August 30, 2024, via PIAS, marks a transformative chapter in the band’s illustrious career. Produced by Nick Cave and Warren Ellis, with mixing by Dave Fridmann, the album emerges five years after Ghosteen, signaling a shift from the profound grief that permeated their recent works to a more uplifting and expansive sound.

The album opens with “Song of the Lake,” a track that sets a contemplative tone, blending ethereal melodies with Cave’s evocative vocals. The title track, “Wild God,” released as the lead single on March 6, 2024, showcases the band’s ability to intertwine introspective lyrics with dynamic instrumentation. “Joy,” a standout piece, features a gospel-infused arrangement, reflecting themes of resilience and transcendence. Throughout the album, the integration of orchestral elements and choral arrangements adds a layer of grandeur, enhancing the emotional depth of the compositions.

Wild God is critically acclaimed for its rejuvenated energy and thematic evolution, with NME describing the album as a journey from darkness to light, highlighting Cave’s transformation into a “freewheelin’ preacher of joy.” Pitchfork notes that the album captures Cave “losing himself” within the majestic sounds of the Bad Seeds, emphasizing the collaborative essence of the project. This critical acclaim is further evidenced by its inclusion in year-end lists, such as The Sun’s ‘Top 50 Albums of 2024,’ solidifying its impact on the music landscape.

In Wild God, Nick Cave & The Bad Seeds deliver a compelling exploration of renewal and hope, reaffirming their status as visionary artists capable of navigating the complexities of the human experience through music.

14. Tyler, The Creator – CHROMAKOPIA

Tyler, The Creator’s eighth studio album, CHROMAKOPIA, released on October 28, 2024, via Columbia Records, marks a significant evolution in his artistic journey. Entirely self-produced, the album delves into themes of self-discovery, vulnerability, and the complexities of fame, showcasing Tyler’s growth as both a musician and an individual.

The album opens with “St. Chroma,” where Tyler’s introspective lyrics are delivered over a minimalist backdrop, setting the contemplative tone for the project. The lead single, “Noid,” released on October 21, 2024, addresses the paranoia associated with celebrity life, blending sharp lyricism with a dynamic beat. “Like Him” stands out as a deeply personal track, featuring a poignant conversation with his mother about his estranged father, adding emotional depth to the narrative.

Praised for its introspection and artistic maturity, CHROMAKOPIA has been highlighted by Pitchfork for its exploration of Tyler’s personal journey, noting its balance between humility and confidence. The Associated Press commended the album’s blend of introspection and energetic tracks, reflecting Tyler’s multifaceted talents. This acclaim is further evidenced by its inclusion in several year-end lists, solidifying its impact on the music landscape.

CHROMAKOPIA sees Tyler, The Creator offering a nuanced exploration of identity and fame, reaffirming his status as a visionary artist unafraid to confront his vulnerabilities through his music.

13. Adrianne Lenker – Bright Future

Adrianne Lenker’s Bright Future, released on March 22, 2024, via 4AD, stands as a testament to her profound songwriting and intimate artistry. Recorded in a secluded woodland studio during the autumn of 2022, the album exudes a raw, organic warmth, a result of its all-analog production process. Lenker’s collaboration with producer Philip Weinrobe and musicians Mat Davidson, Nick Hakim, and Josefin Runsteen has yielded a collection that feels both spontaneous and meticulously crafted.

The opening track, “Real House,” immediately immerses listeners into Lenker’s world, with its spare six-minute meditation on formative memories both wistful and painful. “Sadness as a Gift” juxtaposes melancholy with hope, showcasing Lenker’s ability to find beauty in vulnerability. “Fool” injects a groove into the album, its jubilant bounce providing a welcome contrast to the preceding introspection. Throughout the album, Lenker’s evocative vocals and intricate guitar work create a tapestry of sound that is both delicate and powerful.

Critics have lauded Bright Future for its emotional depth and authenticity. Pitchfork praised the album’s free-flowing and intuitive nature, highlighting Lenker’s seamless blend of folk, country, and psychedelia. Far Out Magazine described the album as a deeply personal journey, moving heartbreak into the rearview mirror while providing moments of heartening humanity.

In Bright Future, Adrianne Lenker offers a collection of songs that are both introspective and expansive, inviting listeners into a world where time seems to stand still, and every note is imbued with a sense of haunting beauty.

12. Mk.gee – Two Star & The Dream Police

Mk.gee’s debut album, Two Star & The Dream Police, released on February 9, 2024, via R&R, marks a significant evolution in the artist’s sonic journey. Born Michael Gordon, the 26-year-old New Jersey native and USC Thornton alumnus has crafted a genre-blurring collection that defies traditional categorization, seamlessly blending elements of ’80s R&B, alternative rock, and bedroom pop.

The album’s 12 tracks, spanning just over 33 minutes, showcase Mk.gee’s prowess as a multi-instrumentalist and producer. Standout tracks include “Are You Looking Up,” which opens with a rough urgency, setting the scene for the album’s immersive quality. “How Many Miles” and “Dream Police” further exemplify his ability to subvert recognizable forms with unusual tones, tempos, and textures, creating a sound that feels both nostalgic and refreshingly innovative.

Critics have lauded Two Star & The Dream Police for its inventive production and Mk.gee’s artistic growth. Pitchfork describes the album as “magnificent,” highlighting how it subverts ’80s R&B ballads and pop-rock grooves with a unique approach. The Line of Best Fit praises the album’s “well-studied and expertly executed” artistry, noting its formless and dizzying orchestration. This acclaim is further evidenced by its inclusion in year-end lists, such as Pitchfork’s ‘The 50 Best Albums of 2024,’ solidifying its impact on the music landscape.

Mk.gee delivers a cohesive and immersive experience with Two Star & The Dream Police that not only showcases his technical skills but also his ability to evoke a wide range of emotions, reaffirming his status as a visionary artist in the contemporary music scene.

11. MJ Lenderman – Manning Fireworks

MJ Lenderman’s fourth solo album, Manning Fireworks, solidifies his position as a distinctive voice in the indie rock landscape. Recorded at Drop of Sun Studios in Asheville, North Carolina, the album showcases Lenderman’s signature blend of alt-country and slacker rock, enriched by contributions from his Wednesday bandmates Karly Hartzman, Xandy Chelmis, and Ethan Baechtold.

The album opens with the title track, “Manning Fireworks,” featuring a wistful country melody that sets a contemplative tone. “Joker Lips” follows, infusing noisy alternative rock textures that highlight Lenderman’s ability to juxtapose genres seamlessly. “Rudolph” stands out with its poignant lyrics and emotive delivery, exemplifying Lenderman’s talent for crafting relatable narratives. Throughout the album, his distinctive voice and guitar work create a sound that is both nostalgic and refreshingly innovative.

Critics have lauded Manning Fireworks for its wit and sincerity. Pitchfork awarded the album an 8.7, describing it as “loaded with zingers and losers,” and noting it as the mark of a songwriter finding his voice. NME highlighted the album’s success in portraying its cast of “freaks and losers,” emphasizing Lenderman’s richly developing voice.

In Manning Fireworks, MJ Lenderman delivers a collection that balances humor and melancholy, offering listeners a glimpse into the lives of flawed yet endearing characters. His ability to blend genres and craft compelling narratives reaffirms his status as a significant figure in contemporary indie music.

Click HERE for a full list of our Top 50 Albums of 2024!

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