![Fascinating Rhythms [M]](https://jonathanrosenbaum.net/wp-content/uploads/2011/04/m-fingerprint.jpg)
![Love and Politics [THE RUSSIA HOUSE & HAVANA]](https://jonathanrosenbaum.net/wp-content/uploads/2011/12/therussiahouse-big-300x239.jpg)
![‘Friendship’: Andrew DeYoung On Tim Robinson, Paul Rudd, & The Wildest, Cringiest Buddy Comedy Of The Year [The Discourse Podcast]](https://cdn.theplaylist.net/wp-content/uploads/2025/05/22133754/FRIENDSHIP-Poster.jpg)
![They Flew $19,000 Business Class—Here’s What I Think Denver Airport Execs Were Really Doing [Roundup]](https://viewfromthewing.com/wp-content/uploads/2015/10/Denver_international_airport.jpg?#)
-1-52-screenshot.png?width=1920&height=1920&fit=bounds&quality=70&format=jpg&auto=webp#)
.png?width=1920&height=1920&fit=bounds&quality=70&format=jpg&auto=webp#)
![[Podcast] Making Brands Relevant: How to Connect Culture, Creativity & Commerce with Cyril Louis](https://justcreative.com/wp-content/uploads/2025/05/cyril-lewis-podcast-29.png)
Cannes 2025: Out of Breath
Running on empty: Ari Aster‘s Eddington, Christian Petzold‘s Mirrors No. 3, and Richard Linklater’s Nouvelle Vague fail to be more than mere reflections of their grander ambitions and inspirations
Running on empty: Ari Aster‘s Eddington, Christian Petzold‘s Mirrors No. 3, and Richard Linklater’s Nouvelle Vague fail to be more than mere reflections of their grander ambitions and inspirations
