Designer Danny Kaplan’s New Collections Explore New Materials

Danny Kaplan debuts three new sculptural collections – furniture, rugs, and mirrors – that explore materiality and artistic expression.

May 23, 2025 - 05:00
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Designer Danny Kaplan’s New Collections Explore New Materials

Designer Danny Kaplan’s New Collections Explore New Materials

Known primarily for his masterful ceramics, Danny Kaplan has now ventured boldly beyond his established vocabulary, introducing three collections that signal a dramatic expansion of his material exploration while maintaining the sculptural sensibility that defines his work. Kaplan’s thoughtful approach to palette – evident in his carefully developed ceramic glazes – serves as a throughline connecting his new ventures in metal furniture, hand-knotted rugs, and resin mirrors. What emerges is not merely a collection of objects but a cohesive vision that bridges craft traditions with contemporary design language.

A modern dining room with a long wooden table, six black chairs, a large round paper lantern, wall art, and a vase with greenery.

“I love working with metal because it embodies the bold, masculine qualities that resonate with Art Deco designs – strong, precise, and aerodynamic. Its reflective quality is deeply satisfying, offering a luminosity that feels akin to the glazes we use on our ceramics,” says Kaplan. “With the Facet collection, my aim is to retain the sculptural integrity and meticulous quality that dene my work while exploring new design directions.”

A modern, minimalist metal chair with a curved seat and backrest positioned against a beige wall on a carpeted floor.

Kaplan’s new Facet Metal Furniture Collection marks a compelling evolution in his design language, marrying sculptural artistry with the precision and strength of metal. Building on the foundation of his Facet Lighting Collection, this latest series introduces the Facet Table and Facet Chair, both deeply rooted in Art Deco inspiration yet unmistakably contemporary. The chair’s defining feature – a vibrant strip of tubing in colors like aubergine, rust, and lavender – adds a playful counterpoint to the cool geometry of polished metal surfaces. Kaplan’s craftsmanship shines through in every angle and finish, revealing his deepening exploration of form, function, and material. With Facet, Kaplan not only expands his repertoire but reaffirms his commitment to timeless design with a fresh, modern edge.

A modern chair with a metallic seat and backrest, featuring curved edges and light purple legs, placed on a light-colored wooden floor against a beige wall.

A minimalist metal chair with a reflective seat and backrest, and light blue legs, positioned on a light-colored floor against a beige wall.

A metal chair sits on a geometric-patterned rug in a room with wooden floors, neutral walls, and a window showing part of a building outside.

In his Collage Rug Collection, the designs began as spontaneous notebook sketches, where the dark lines of his pen became defining elements in the final pieces. Working with textiles expert Esha Ahmed, these drawings underwent a transformation – first digitized, then rendered in Nepal through traditional hand-knotting techniques.

A metallic chair sits on a geometric-patterned rug in a dimly lit room with two windows covered by brown curtains.

A modern living room with a geometric area rug, a wooden coffee table with a glass top, and part of a brown leather chair visible in the corner.

A metallic chair sits against a brown wall in a sparsely furnished room with a patterned area rug and two curtained windows.

Three colorful, abstract-patterned rugs layered on top of each other on a light wooden floor.

Several abstract-patterned rugs in earthy tones overlap on a light wood floor, with some edges folded and slightly elevated.

A round mirror with a clear, textured frame decorated with evenly spaced pink spheres is mounted on a plain light-colored wall.

In his Divot Mirror collaboration with Joseph Algieri, the pieces bridge Kaplan’s ceramic expertise with new material possibilities. By throwing the original form on a wheel before casting it in resin, Kaplan maintains the tactile integrity of his ceramic work while gaining access to brighter, more saturated colors not typically accessible through the studio’s glaze. The resulting objects capture every detail of the clay’s surface texture while introducing a vibrant color range that pushes beyond ceramic constraints. “It’s a mirror, yes,” says Kaplan, “but it’s also an object in its own right – more like a piece of art. We didn’t want something that simply hangs on the wall, but something that inhabits the space.”

Oval mirror with a translucent orange frame, decorated with evenly spaced colorful round knobs, mounted on a white wall.

Oval mirror with a thick, translucent blue frame decorated with round blue and purple knobs, mounted on a plain light-colored wall.

Oval mirror with a thick, translucent green frame featuring raised circular bumps and blue accents, mounted on a white wall.

For more information on Danny Kaplan’s new collection, visit dannykaplanstudio.com.

Photography by Matthew Gordon, William Jess Laird, and Dan Allegretto.