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‘Pillion’ Review: Harry Melling & Alexander Skarsgård Find Unexpected Feeling In The Role Play [Cannes]
CANNES – Let me be the first, perhaps second, possibly third critic to refer to Harry Lighton’s directorial debut, “Pillion,” as the gay flip side of “Babygirl.” Subject matter aside, it’s a movie with somewhat higher aspirations than its A24 stablemate. It’s a beast of sexual power dynamics and unrequited intimacy all on its own. And it may make even the most liberal viewer uncomfortable in the best way possible. Continue reading ‘Pillion’ Review: Harry Melling & Alexander Skarsgård Find Unexpected Feeling In The Role Play [Cannes] at The Playlist.
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!['Pillion' Review: Harry Melling & Alexander Skarsgård Find Unexpected Feeling In The Role Play [Cannes]](https://cdn.theplaylist.net/wp-content/uploads/2025/05/16122918/PILLION-Harry-LIGHTON-Photos-1-Films-kit-Cannes-166x110.jpg)
CANNES – Let me be the first, perhaps second, possibly third critic to refer to Harry Lighton’s directorial debut, “Pillion,” as the gay flip side of “Babygirl.” Subject matter aside, it’s a movie with somewhat higher aspirations than its A24 stablemate. It’s a beast of sexual power dynamics and unrequited intimacy all on its own. And it may make even the most liberal viewer uncomfortable in the best way possible.
