The Woman Who Isn’t There [WAKING THE DEAD]

From the Chicago Reader (March 24, 2000). — J.R. Waking the Dead Rating ** Worth seeing Directed by Keith Gordon Written by Robert Dillon With Billy Crudup, Jennifer Connelly, Molly Parker, Janet McTeer, Paul Hipp, Sandra Oh, and Hal Holbrook. I can’t make any great claims for Keith Gordon’s fourth feature as a director — a tragic love story that might be described as a political allegory, limited by the affective range of its lead actor (Billy Crudup), who plays a smarmy politician, and by the smudgy articulation of some secondary details. Yet the movie has a quality and intensity of feeling that provoke respect and a sense of fellowship — something that makes me cherish some of its attributes. I can cite only one unequivocal reason for seeing Waking the Dead, and that’s Jennifer Connelly, who plays Sarah Williams — a Catholic activist who, when the story opens, seemingly dies when the car she and two pro-Allende Chileans are driving through Minneapolis is bombed. What makes Connelly so remarkable isn’t her character’s radicalism but her capacity to keep the character fresh every time she appears and to leave a lingering impression that makes the hero’s (and the movie’s) sense of loss acute. Read more

May 22, 2025 - 12:45
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The Woman Who Isn’t There [WAKING THE DEAD]

From the Chicago Reader (March 24, 2000). — J.R.

Waking the Dead

Rating ** Worth seeing

Directed by Keith Gordon

Written by Robert Dillon

With Billy Crudup, Jennifer Connelly, Molly Parker, Janet McTeer, Paul Hipp, Sandra Oh, and Hal Holbrook.

I can’t make any great claims for Keith Gordon’s fourth feature as a director — a tragic love story that might be described as a political allegory, limited by the affective range of its lead actor (Billy Crudup), who plays a smarmy politician, and by the smudgy articulation of some secondary details. Yet the movie has a quality and intensity of feeling that provoke respect and a sense of fellowship — something that makes me cherish some of its attributes.

I can cite only one unequivocal reason for seeing Waking the Dead, and that’s Jennifer Connelly, who plays Sarah Williams — a Catholic activist who, when the story opens, seemingly dies when the car she and two pro-Allende Chileans are driving through Minneapolis is bombed. What makes Connelly so remarkable isn’t her character’s radicalism but her capacity to keep the character fresh every time she appears and to leave a lingering impression that makes the hero’s (and the movie’s) sense of loss acute. Read more