Lwlies

The Chronology of Water – first-look review

Kristen Stewart makes her directorial debut with a rousing adaptation of Lidia Y...

Dossier 137 – first-look review

This robust if hardly revelatory police procedural coasts on an detailed and cha...

The Plague – first-look review

A 12-year-old boy at a water polo summer camp experiences the vitriol of his pee...

Sirât – first-look review

A phenomenal and unique portrait of a group of thrill-seeking ravers entering in...

What to watch at the first ever SXSW London festival

We delve into the juicy screen offerings that are coming to the capital this Jun...

Two Prosecutors – first-look review

Ukrainian filmmaker Sergei Loznitsa returns with this dark tale of Stalinist opp...

Magic Farm review – Amalia Ulman has plenty up her sleeve

Amalia Ulman flexes her satirical writing chops, but her latest would have benef...

Final Destination: Bloodlines review – an absurd, grote...

Death comes a-calling once more in this long-overdue sixth instalment into the m...

Hallow Road review – heavily signposted horror

Rosamund Pike and Matthew Rhys navigate parental fears in Babak Anvari’s grippin...

Do Not Seek the Treasure: The Coen Brothers’ Anti-Capit...

Throughout their joint filmmaking efforts, Joel and Ethan Coen have remained int...

It’s Not Me review – an innovative homage to Carax’s ma...

Leos Carax delves through his own personal archive in this glorious essay film t...

Enzo – first-look review

Robin Campillo completed this final feature by Laurent Cantet, a beautiful, bitt...

Challenging representation and centring trans community...

The first edition of the Trans Image / Trans Experience Festival (TITE) in Dubli...

Motel Destino review – a sleazy stay in a neon nightmare

A young enforcer for a Brazilian gangster finds himself hiding out at a sleazy s...

Seeking Mavis Beacon review – Delightful search for mis...

This inquisitive and thoughtful doc takes the massively-popular digital typing s...

The enduring horror of Kiss Me Deadly

As Robert Aldrich's 1955 noir turns 75, the film lives on in the work of Cronenb...

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