Thefilmstage

“There’s No Nostalgia for Me in This Film”: The Legend ...

Making movies is hard. This is not a revelatory observation, though a film like ...

Mountainhead Teaser: Succession Creator Jesse Armstrong...

In what may be among the quickest production-to-premiere turnarounds for a featu...

Emergent City Review: A Resonate Tale of Brooklyn Commu...

Note: This review was originally published as part of our 2024 Tribeca coverage....

The Vanishing Begins in First Teaser for Zach Cregger’s...

After shifting from his comedy days in The Whitest Kids U’ Know to his horror de...

Football Fanatics, Nuclear Waste, and Elon Musk’s Phall...

One thing I like to do at a film festival is go for a run. Maintaining the sense...

On Swift Horses Review: An Endearing Melodrama With an ...

Note: This review was originally published as part of our 2025 TIFF coverage. On...

No Other Land Now Available to Watch at Home for a Limi...

The most essential, vital documentary of the last year, Basel Adra, Hamdan Balla...

Caught by the Tides Trailer: Jia Zhangke’s Decades-in-t...

His first narrative feature in six years, featuring footage collected over some ...

The Wedding Banquet Review: Andrew Ahn Crafts an Endear...

Remaking a film on the Library of Congress’s National Film Registry is hardly a ...

Dead Mail Review: A New Twist on the Slasher Flick

Note: This review was originally published as part of our 2024 SXSW coverage. De...

The Legend of Ochi Review: A Simple Fantasy with Incred...

The Legend of Ochi, written and directed by Isaiah Saxon, is a lovely adventure ...

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