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Cinematographer Christopher Ross On Capturing “The Gray Area Of The Human Condition” In ‘The Day Of The Jackal’
For The Day of the Jackal, cinematographer Christopher Ross says the approach to the job was to capture the “world of lies” that both protagonists live in. Every assassination had moments of misdirection, on both sides, which needed to be captured on camera as small clues for the audience to piece together what is really going […]
For The Day of the Jackal, cinematographer Christopher Ross says the approach to the job was to capture the “world of lies” that both protagonists live in. Every assassination had moments of misdirection, on both sides, which needed to be captured on camera as small clues for the audience to piece together what is really going […]
