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May 23, 2025 0
May 23, 2025 0
May 23, 2025 0
May 23, 2025 0
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May 14, 2025 0
German writer-director Mascha Schilinski’s sophomore feature Sound of Falling is...
May 14, 2025 0
“I’m going to miss being disreputable,” Ving Rhames’ Luther Stickell grumbles to...
May 14, 2025 0
When I spoke to Alan Rudolph a couple months ago, he confirmed that Criterion ha...
May 14, 2025 0
Ever since Turn on the Bright Lights debuted in the summer of 2002, Interpol fro...
May 14, 2025 0
Note: This review was originally published as part of our 2024 NYFF coverage. Th...
May 14, 2025 0
Frequent festival-goers learn to not expect much from opening films. Truth is, q...
May 13, 2025 0
As legacy horror franchises attempt to worm their way back into the public imagi...
May 13, 2025 0
Perhaps no North American distributor does better to enrich film culture than Ar...
May 13, 2025 0
One of the best first features in recent memory, Sarah Friedland’s wonderfully g...
May 13, 2025 0
Having found success with Howard Hawks’ Rio Bravo and an IB Technicolor print of...
May 13, 2025 0
It looks like Cannes was saving our most-anticipated premiere for last: it was j...
May 12, 2025 0
20 years ago, 20th Century Fox began the summer-blockbuster season with a sword-...
May 12, 2025 0
It’s been one year since Francis Ford Coppola unfurled his epic passion project ...
May 12, 2025 0
In a city where the rents are too high, the subways are too slow, and morale bar...
May 12, 2025 0
Recent times have been a boon for films by or about Indian women. On top of Cann...
May 9, 2025 0
The Matron (Rima Te Wiata) of Te Motu School for Incorrigible and Delinquent Gir...
May 16, 2025 0
May 23, 2025 0
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May 23, 2025 0