Thefilmstage

Cannes Review: Sound of Falling is a Pyschosexual Fever...

German writer-director Mascha Schilinski’s sophomore feature Sound of Falling is...

Mission: Impossible – The Final Reckoning Review: An Un...

“I’m going to miss being disreputable,” Ving Rhames’ Luther Stickell grumbles to...

The Criterion Channel’s June Programming Features Alan ...

When I spoke to Alan Rudolph a couple months ago, he confirmed that Criterion ha...

Paul Banks on Creating His First Film Score with Sister...

Ever since Turn on the Bright Lights debuted in the summer of 2002, Interpol fro...

The Damned Review: Frigid Civil War Sojourn Flirts With...

Note: This review was originally published as part of our 2024 NYFF coverage. Th...

Cannes Review: Leave One Day is a Nostalgia-Laced Music...

Frequent festival-goers learn to not expect much from opening films. Truth is, q...

Final Destination: Bloodlines Review: Silly, Bloody Rol...

As legacy horror franchises attempt to worm their way back into the public imagi...

Landmark Iranian Feature Is Restored In Exclusive Trail...

Perhaps no North American distributor does better to enrich film culture than Ar...

Familiar Touch Trailer: Sarah Friedland’s Acclaimed Dir...

One of the best first features in recent memory, Sarah Friedland’s wonderfully g...

The Film Stage Presents an IB Technicolor Print of Howa...

Having found success with Howard Hawks’ Rio Bravo and an IB Technicolor print of...

First Teaser for Bi Gan’s Resurrection Arrives Ahead of...

It looks like Cannes was saving our most-anticipated premiere for last: it was j...

“It is a Kingdom of Conscience or Nothing”: Ridley Scot...

20 years ago, 20th Century Fox began the summer-blockbuster season with a sword-...

Mike Figgis’ Documentary on the Making of Francis Ford ...

It’s been one year since Francis Ford Coppola unfurled his epic passion project ...

Emulsion Episode Six: Edo Choi and Alexander Fee on Mik...

In a city where the rents are too high, the subways are too slow, and morale bar...

Sister Midnight Review: Offbeat Black Comedy Highlights...

Recent times have been a boon for films by or about Indian women. On top of Cann...

We Were Dangerous Review: A Coming-of-Age Tale of Energ...

The Matron (Rima Te Wiata) of Te Motu School for Incorrigible and Delinquent Gir...

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