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May 23, 2025 0
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May 16, 2025 0
Kicking things off with a small but enticing update, following last year’s incre...
May 16, 2025 0
Horror movies explicitly tackling grief are hardly a recent development, but it’...
May 16, 2025 0
Each week we highlight the noteworthy titles that have recently hit streaming pl...
May 16, 2025 0
If Criterion’s influence from the last 15-or-so years must distilled to one figu...
May 16, 2025 0
A directorial debut as hypnotic as it is narratively destabilizing, Madeleine Hu...
May 16, 2025 0
When Donbass arrived in 2018, sandwiched between the start of the 2014 Russian-b...
May 16, 2025 0
NYC Weekend Watch is our weekly round-up of repertory offerings. Brooklyn Center...
May 15, 2025 0
One of the key figures in Hong Kong cinema, Tsui Hark is a writer, actor, produc...
May 15, 2025 0
The queer coming-of-age experience is one of great vulnerability: a young person...
May 15, 2025 0
Note: This review was originally published as part of our 2024 Filmfest Hamburg ...
May 15, 2025 0
Nearly 92, more controversial than ever, and coming off perhaps the least-liked ...
May 14, 2025 0
German writer-director Mascha Schilinski’s sophomore feature Sound of Falling is...
May 14, 2025 0
“I’m going to miss being disreputable,” Ving Rhames’ Luther Stickell grumbles to...
May 14, 2025 0
When I spoke to Alan Rudolph a couple months ago, he confirmed that Criterion ha...
May 14, 2025 0
Ever since Turn on the Bright Lights debuted in the summer of 2002, Interpol fro...
May 14, 2025 0
Note: This review was originally published as part of our 2024 NYFF coverage. Th...
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