Thefilmstage

Leos Carax, Albert Serra, David Lowery, Alexander Payne...

Kicking things off with a small but enticing update, following last year’s incre...

Bring Her Back Review: An Anxiety-Inducing Triumph of H...

Horror movies explicitly tackling grief are hardly a recent development, but it’...

New to Streaming: The Brutalist, The Wedding Banquet, D...

Each week we highlight the noteworthy titles that have recently hit streaming pl...

The Criterion Collection’s August Lineup Includes an Ed...

If Criterion’s influence from the last 15-or-so years must distilled to one figu...

The Ballad of Suzanne Césaire Trailer: Madeleine Hunt-E...

A directorial debut as hypnotic as it is narratively destabilizing, Madeleine Hu...

Cannes Review: Sergei Loznitsa’s Two Prosecutors Feels ...

When Donbass arrived in 2018, sandwiched between the start of the 2014 Russian-b...

NYC Weekend Watch: Cymbeline, Malcolm X, Kira Muratova,...

NYC Weekend Watch is our weekly round-up of repertory offerings. Brooklyn Center...

Tsui Hark on Finding Peace in a World of Chaos

One of the key figures in Hong Kong cinema, Tsui Hark is a writer, actor, produc...

Cannes Review: Enzo is a Queer Coming-of-Age Tale Conve...

The queer coming-of-age experience is one of great vulnerability: a young person...

Love Review: A Truthful, Soothing Nordic Take on Romance

Note: This review was originally published as part of our 2024 Filmfest Hamburg ...

Roman Polanski, Vincent Gallo, and Panos Cosmatos Plan ...

Nearly 92, more controversial than ever, and coming off perhaps the least-liked ...

Cannes Review: Sound of Falling is a Pyschosexual Fever...

German writer-director Mascha Schilinski’s sophomore feature Sound of Falling is...

Mission: Impossible – The Final Reckoning Review: An Un...

“I’m going to miss being disreputable,” Ving Rhames’ Luther Stickell grumbles to...

The Criterion Channel’s June Programming Features Alan ...

When I spoke to Alan Rudolph a couple months ago, he confirmed that Criterion ha...

Paul Banks on Creating His First Film Score with Sister...

Ever since Turn on the Bright Lights debuted in the summer of 2002, Interpol fro...

The Damned Review: Frigid Civil War Sojourn Flirts With...

Note: This review was originally published as part of our 2024 NYFF coverage. Th...

This site uses cookies. By continuing to browse the site you are agreeing to our use of cookies.