Thefilmstage

Dogma 25 Movement Launches 30 Years After Lars von Trie...

It’s now been 30 years since Lars von Trier and Thomas Vinterberg launched the D...

Lee Chang-dong Plans Fall Shoot for Next Film Possible ...

While it’s been an interminably long seven years since 2018’s Burning premiered ...

First Teaser Trailer for Julia Ducournau’s Alpha, Set f...

Set for a world premiere at the Cannes Film Festival today, Alpha provides Julia...

Cannes Review: Pillion is a Provocative, Funny, and Tou...

It wouldn’t be Cannes without a good scandal film. For 2025, British director Ha...

The Coen Brothers Will Reunite, When the Time is Right

The Cannes Film Festival is underway, and Ethan Coen will have the distinction o...

Cannes Review: Brand New Landscape is an Embodied Estra...

When confronted with the past, do you drive away or turn back to face it? Siblin...

Cannes Review: Chie Hayakawa’s Renoir is a Gradually Re...

Just three years since earning a special mention from the Camera d’Or jury for P...

Cannes Review: With Nouvelle Vague, Richard Linklater O...

Shot on black-and-white film with the same Cameflex model used by Jean-Luc Godar...

Cannes Review: Christian Petzold’s Mirrors No. 3 is an ...

Christian Petzold’s fifteenth feature Mirrors No. 3 marks his fourth with Paula ...

Cannes Review: Drunken Noodles is a Sultry and Strangel...

The laws of time and space are met with frisky ambivalence in Drunken Noodles, L...

Cannes Review: Ari Aster’s Eddington is an Ambitious 20...

In Eddington, Ari Aster’s latest doom spiral, the proposed building of a data ce...

Cannes Review: I Only Rest in the Storm Glides Over Man...

Late into I Only Rest in the Storm, Sergio (Sérgio Coragem) is asked a question ...

Cannes Review: Oliver Laxe’s Desert Trance Sirat Is a G...

For the French-Spanish filmmaker Oliver Laxe, a competition berth in Cannes has ...

Cannes Review: The Mysterious Gaze of the Flamingo is a...

As reminders that ignorance, bigotry, and hate can literally kill, stories about...

Cannes Review: A Useful Ghost Tells a Peculiar, Humorou...

While ghosts and spirits have long been the conduit for cinematic scares and jol...

First Trailer for Richard Linklater’s Nouvelle Vague Br...

After releasing two films last year with Hit Man and the rather-overlooked God S...

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