What Does Joseph Kosinski Think Are His Best Shots?
Director Joseph Kosinski has sort of become the current king of summer blockbusters. Ever since he saved the movies with Top Gun: Maverick, he's been at the top of everyone's lists to helm these big titles. But his journey to the top has been a few decades in the making. Now, he's back with F1, a racing movie starring Brad Pitt that takes on F1 cars and their drivers. He recently shared insights into some of the most iconic shots and sequences from his impressive filmography. Let's dive in. Joseph Kosinski's Best ShotsBefore we jump in, I want to talk about how throughout the discussion, Kosinski underscored the importance of meticulous storyboarding, and seamlessly blending practical and visual effects. No matter what shot he talks about, he says he's put them together in storyboards and imagined them. The guy has an unwavering commitment to creating innovative and challenging cinematic experiences.So, what are his best shots?Tron: LegacyKosinski began by discussing the visually stunning light cycle sequence from Tron: Legacy. He highlighted the intricate planning and storyboarding required for this complex action scene, which unfolded across three distinct levels.He also pointed to the emotional resonance of the final shot, where Kora experiences a sunrise in the real world for the first time.It's one of those moments that sort of eases the tension from the CGI world to the real world and grounds the movie.Despite its reputation as a CG-heavy film, Kosinski emphasized the extensive practical sets that were constructed for Tron: Legacy.OblivionI like this movie, I think it's one of those sneaky fun stories that takes science fiction tropes and just does them really well.Moving on to Oblivion, Kosinski recalled the pivotal first day of shooting with a front projection technique for a scene featuring Tom Cruise's character approaching the bubble ship. The success of this technique was crucial, as it validated a key visual concept for the entire film.Top Gun: MaverickThis might be Kosinski's most important movie, and it felt like cinema got the world back on track after COVID and proved that people wanted to go to t the movies.Kosinski identified Maverick's low-level flight sequence as an exceptionally challenging and intense moment, pushing both the boundaries of filmmaking and Tom Cruise's performance. He also acknowledged the significant influence of the original Top Gun and Tony Scott's distinctive filmmaking style on Maverick.F1I cannot wait to see this movie in IMAX, I'm going on Friday.In the video, Kosinski shared his surreal experience of filming his upcoming F1 movie during the British Grand Prix at Silverstone. He described the unique challenge of blurring the lines between fiction and reality by placing his actors on the grid alongside real Formula 1 drivers.He also noted the necessity of adapting to real-world events, such as incorporating actual race incidents into the film's story.Furthermore, Kosinski explained how the camera system developed for Top Gun: Maverick was further refined and miniaturized to capture the incredible speed and intensity of F1 racing without impeding the cars.Summing It All UpI am pumped to see F1 and to hear about Kosinski's Miami Vice movie, which will probably be coming out next summer or the year after.The guy is bringing his vision to the big screen, and I think he has an uncanny ability to create these crowd-pleasing moments. I loved hearing about his preparation and dedication.What were your favorite parts?Let me know what you think in the comments.


Director Joseph Kosinski has sort of become the current king of summer blockbusters. Ever since he saved the movies with Top Gun: Maverick, he's been at the top of everyone's lists to helm these big titles.
But his journey to the top has been a few decades in the making.
Now, he's back with F1, a racing movie starring Brad Pitt that takes on F1 cars and their drivers.
He recently shared insights into some of the most iconic shots and sequences from his impressive filmography.
Let's dive in.
Joseph Kosinski's Best Shots
Before we jump in, I want to talk about how throughout the discussion, Kosinski underscored the importance of meticulous storyboarding, and seamlessly blending practical and visual effects.
No matter what shot he talks about, he says he's put them together in storyboards and imagined them.
The guy has an unwavering commitment to creating innovative and challenging cinematic experiences.
So, what are his best shots?
Tron: Legacy

Kosinski began by discussing the visually stunning light cycle sequence from Tron: Legacy. He highlighted the intricate planning and storyboarding required for this complex action scene, which unfolded across three distinct levels.
He also pointed to the emotional resonance of the final shot, where Kora experiences a sunrise in the real world for the first time.
It's one of those moments that sort of eases the tension from the CGI world to the real world and grounds the movie.
Despite its reputation as a CG-heavy film, Kosinski emphasized the extensive practical sets that were constructed for Tron: Legacy.
Oblivion

I like this movie, I think it's one of those sneaky fun stories that takes science fiction tropes and just does them really well.
Moving on to Oblivion, Kosinski recalled the pivotal first day of shooting with a front projection technique for a scene featuring Tom Cruise's character approaching the bubble ship. The success of this technique was crucial, as it validated a key visual concept for the entire film.
Top Gun: Maverick

This might be Kosinski's most important movie, and it felt like cinema got the world back on track after COVID and proved that people wanted to go to t the movies.
Kosinski identified Maverick's low-level flight sequence as an exceptionally challenging and intense moment, pushing both the boundaries of filmmaking and Tom Cruise's performance. He also acknowledged the significant influence of the original Top Gun and Tony Scott's distinctive filmmaking style on Maverick.
F1

I cannot wait to see this movie in IMAX, I'm going on Friday.
In the video, Kosinski shared his surreal experience of filming his upcoming F1 movie during the British Grand Prix at Silverstone. He described the unique challenge of blurring the lines between fiction and reality by placing his actors on the grid alongside real Formula 1 drivers.
He also noted the necessity of adapting to real-world events, such as incorporating actual race incidents into the film's story.
Furthermore, Kosinski explained how the camera system developed for Top Gun: Maverick was further refined and miniaturized to capture the incredible speed and intensity of F1 racing without impeding the cars.
Summing It All Up
I am pumped to see F1 and to hear about Kosinski's Miami Vice movie, which will probably be coming out next summer or the year after.
The guy is bringing his vision to the big screen, and I think he has an uncanny ability to create these crowd-pleasing moments. I loved hearing about his preparation and dedication.
What were your favorite parts?
Let me know what you think in the comments.