Hassan Al-Sharq Museum in Zawya Sultan Basha, Egypt
In Egypt, as elsewhere, fine art is often the purview of the educated urban elite. But sometimes, an irrepressible creative spirit springs up in the unlikeliest of places. One such case is that of Hassan al-Sharq, the son of the village butcher in the hamlet of Zawya Sultan in Minya Province. Growing up in the 1950s, Al-Sharq—like many peasant children—was expected to follow in his father’s footsteps and learn the family trade. Working in his father’s butcher shop, however, he felt an inexplicable urge to create art. With no training or supplies available in his village, he taught himself to paint using leftover scraps of animal skin from the butcher shop as canvas and natural pigments that he mixed himself as paint. He developed a unique style of dense compositions featuring naively-rendered figures drawn from local folklore and traditions. Al-Sharq worked in near-isolation until he was in his 30s, when a German scholar stumbled upon his work. She arranged for exhibits in Cairo and abroad, which enabled Al-Sharq to make a living from his art and to travel the world. He was able to give up the butcher business and send his children to school; some of them became professional artists themselves. Al-Sharq’s work was (and is still) widely displayed in art galleries in Cairo and even in the Egyptian Museum of Modern Art. But he kept hundreds of works for himself and displayed them salon-style in his home in Zawya Sultan alongside artworks that he received as gifts from his fellow artists. Al-Sharq died in 2022, but his youngest son preserved the ground floor exhibition space as his father left it and welcomes visits from art lovers from around the world.

In Egypt, as elsewhere, fine art is often the purview of the educated urban elite. But sometimes, an irrepressible creative spirit springs up in the unlikeliest of places. One such case is that of Hassan al-Sharq, the son of the village butcher in the hamlet of Zawya Sultan in Minya Province.
Growing up in the 1950s, Al-Sharq—like many peasant children—was expected to follow in his father’s footsteps and learn the family trade. Working in his father’s butcher shop, however, he felt an inexplicable urge to create art. With no training or supplies available in his village, he taught himself to paint using leftover scraps of animal skin from the butcher shop as canvas and natural pigments that he mixed himself as paint. He developed a unique style of dense compositions featuring naively-rendered figures drawn from local folklore and traditions.
Al-Sharq worked in near-isolation until he was in his 30s, when a German scholar stumbled upon his work. She arranged for exhibits in Cairo and abroad, which enabled Al-Sharq to make a living from his art and to travel the world. He was able to give up the butcher business and send his children to school; some of them became professional artists themselves.
Al-Sharq’s work was (and is still) widely displayed in art galleries in Cairo and even in the Egyptian Museum of Modern Art. But he kept hundreds of works for himself and displayed them salon-style in his home in Zawya Sultan alongside artworks that he received as gifts from his fellow artists. Al-Sharq died in 2022, but his youngest son preserved the ground floor exhibition space as his father left it and welcomes visits from art lovers from around the world.